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The reason of this assumption being that the text au verso is identical with the text on page 4 of specimens nr.1 and nr.10 in the Charivari volume 1 of Frankfurt University.
Back to Index Good news for the Daumier community: Daumier’s original lacquered clay of King Louis XIV has reappeared on the Art market after 47 years of hiding in the apartment of a French Art dealer in New York known to the Daumier Register. “LES BLANCHISSEURS” (DR39) was deposited with the censor as black and white print (without text au verso) on August 22, 1832.
He discovered that the Frankfurt Charivari volume I also contains so called specimens nr.1 and nr.10 Both specimens indicate as date merely “Lundi…1832” but no date or month.
The lithographs on page 3 differ but the printed texts on pages 1, 2 and 4 are identical.
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Up to now, we are aware only of one single Daumier DR39 specimen print.
The Bibliothèque Nationale in Paris, which owns an almost complete Daumier print collection, was not aware of the existence of such specimen prints.Daumier is one of the most frequently copied artists of the 19th century.Already during his lifetime, Daumier complained about forgeries being offered on the market.180 lithographs, wood engravings, drawings and sculptures by Daumier, a great number of them are works on loan by the collection of the DAUMIER-REGISTER. 15, 2017 to January 7, 2018 Bellinzona Museo Civico Villa dei Cedri Guided tours on Sept. To our great surprise, we recently found a version of DR39 on normal print paper recto and printed text au verso The verso indicates “LE CHARIVARI”, however no date is given on either recto or verso.One of our Daumier friends in Germany inspected volume I of “LE CHARIVARI” at the library of the Goethe University in Frankfurt am Main that owns almost all Charivari volumes.When most people think about innovation, they think of companies like Amazon, Facebook, Apple, and Google because those companies appear to have some kind of magic that other organizations lack.